"I just came on the mere chance," she said. "Mona found yesterday, somewhere, the card of invitation to your sister's marriage that you sent us, or your father sent us, some time ago. We couldn't be present—it was impossible; but as it had this address on it I said to myself that I might find you here." The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!!

"Everything is different—when I know!" In spite of this sharpness they were now almost equally and almost tremulously mild; though their mildness took mainly the form of an inevitable sense of nothing left to say. It was the unsaid that occupied them—the thing that for more than an hour they had been going round and round without naming it. Much too early for Fleda's train, they encountered at the station a long half-hour to wait. Fleda made no further allusion to Mrs. Gereth's leaving her; their dumbness, with the elapsing minutes, grew to be in itself a reconstituted bond. They slowly paced the great gray platform, and presently Mrs. Gereth took the girl's arm and leaned on it with a hard demand for support. It seemed to Fleda not difficult for each to know of what the other was thinking—to know indeed that they had in common two alternating visions, one of which, at moments, brought them as by a common impulse to a pause. This was the one that was fixed; the other filled at times the whole space and then was shouldered away. Owen and Mona glared together out of the gloom and disappeared, but the replenishment of Poynton made a shining, steady light. The old splendor was there again, the old things were in their places. Our friends looked at them with an equal yearning; face to face, on the platform, they counted them in each other's eyes. Fleda had come back to them by a road as strange as the road they themselves had followed. The wonder of their great journeys, the prodigy of this second one, was the question that made her occasionally stop. Several times she uttered it, asked how this and that difficulty had been met. Mrs. Gereth replied with pale lucidity—was naturally the person most familiar with the truth that what she undertook was always somehow achieved. To do it was to do it—she had more than one kind of magnificence. She confessed there, audaciously enough, to a sort of arrogance of energy, and Fleda, going on again, her inquiry more than answered and her arm rendering service, flushed, in her diminished identity, with the sense that such a woman was great.

Fleda marveled: her companion had in an instant become young again. "Away from Mona? How in the world—?" "Does Mona?" "No, 'she' won't see them." Then Fleda said, "What I mean is, for this dear one of ours, that if she had (as I know she did; it's in the very taste of the air!) a great accepted pain—"